Tag Archives: roberto assagioli

Pigeons, Paper and Paradise

Photo of Regina Coeli prison by Pietro Snider/Inside Carceri

Nearly all of us have experienced some form of “lock down” during the past year of the pandemic. During this time, perhaps you’ve had time to reflect on what ‘freedom’ means to you personally and to all of us collectively.

I will be exploring this concept of freedom in an upcoming Webinar, sponsored by the Association of Advancement for Psychosynthesis.

In this webinar, you will have the opportunity to learn more about Roberto Assagioli’s reflections on the deeper meaning of ‘freedom’ – a word that is bandied about without much thought – from advertising soda drinks to promoting war.

The concept of freedom will be explored through Assagioli’s autobiographical account Freedom in Jail. This book outlines Assagioli’s own experience before, during and after his own imprisonment in Regina Coeli prison by the Italian fascist regime in 1940. Freedom in Jail offers insights into Assagioli’s understanding of true “inner freedom, pure freedom … attained rising above the fetters, a sense of expansion …”

We will begin with a presentation during which I will talk about Assagioli’s time in prison and how he practiced his psychosynthesis concepts and techniques. While in prision, he ultimately experienced his own personally transformation and self-realization.

The presentation will be followed by Q&A. Then we will break up into smaller groups and share our thoughts on a specific excerpt from his book. At the end, we will gather together as a larger group and share whatever insights we might have gained.

I hope to see you there!

Freedom in Jail: A Reflection on Pigeons, Paper, and Paradise

Date/Time: Saturday, May 15, 2021. Noon-2pm EST

Cost: Free for AAP member, $25 for non-members, May 15, 2021.

Register by: Monday, May 10.

To Register and for more Info: Click here.

Giving “Birth to a Butterfly”: Assagioli’s Feminist Patient

Wall painting by Mina Loy, Peggy Guggenheim’s Villa, Pramousquier, 1923

In 1913, Mina Loy (1882-1966) was living in a rented villa in Florence when she found herself in a torpor and depressed. Her photographer husband had just set sail for Australia, abandoning her with their two children. A painter herself, she was artistically stalled and still mourning over the death of her first child who had died in infancy six years earlier.

Enter Dr. Roberto Assagioli!

Yes, Mina Loy – feminist, bohemian, poet, and playwright – was one of Roberto Assagioli’s first clients.

Over the course of her lifetime, Loy acted, wrote feminist and utopian tracts, created lampshades, and painted – including a lost portrait of Assagioli. Loy was born in London. Her mother was British and Christian while her father was a Hungarian Jewish tailor who had escaped Budapest’s antisemitism. Loy would end up having two husbands, four children, and several complicated love affairs. (More on two of these later…)

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“A Wild and Free Creature”

Eremo delle Allodole 1

The gate of the Eremo di Campello (Design by Carlotta Gentili)

One of the special Places of the Higher Self that we will visit in September is the Eremo di Campello, near the town of Trevi in Umbria, Italy. The final road up to the Hermitage is an unpaved, unmarked climb through olive groves and wooded hillsides. The feeling is desolation mixed with expectation. When we finally arrive in front of a locked wooden gate guarded by a furiously barking dog, the feeling turns to “What am I doing here?” But soon Sister Lucia appears with grand tranquility and a warm smile. She slowly walks down a long path from the Hermitage towards us and swings the gate open. “Welcome in Peace,” she says, inviting us inside. Continue reading

Assa…who? Psychosyn…what?

Roberto Assagioli

Roberto Assagioli (Assagioli Archives, Florence)

If you ever wondered how to explain who Assagioli is to people who have never heard of him or psychosynthesis, I recently had a short article published about him in The Florentine magazine. You can read “A Man of Peaceful Action” by clicking here.

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