In 1913, Mina Loy (1882-1966) was living in a rented villa in Florence when she found herself in a torpor and depressed. Her photographer husband had just set sail for Australia, abandoning her with their two children. A painter herself, she was artistically stalled and still mourning over the death of her first child who had died in infancy six years earlier.
Enter Dr. Roberto Assagioli!
Yes, Mina Loy – feminist, bohemian, poet, and playwright – was one of Roberto Assagioli’s first clients.
Over the course of her lifetime, Loy acted, wrote feminist and utopian tracts, created lampshades, and painted – including a lost portrait of Assagioli. Loy was born in London. Her mother was British and Christian while her father was a Hungarian Jewish tailor who had escaped Budapest’s antisemitism. Loy would end up having two husbands, four children, and several complicated love affairs. (More on two of these later…)
The gate of the Eremo di Campello (Design by Carlotta Gentili)
One of the special Places of the Higher Self that we will visit in September is the Eremo di Campello, near the town of Trevi in Umbria, Italy. The final road up to the Hermitage is an unpaved, unmarked climb through olive groves and wooded hillsides. The feeling is desolation mixed with expectation. When we finally arrive in front of a locked wooden gate guarded by a furiously barking dog, the feeling turns to “What am I doing here?” But soon Sister Lucia appears with grand tranquility and a warm smile. She slowly walks down a long path from the Hermitage towards us and swings the gate open. “Welcome in Peace,” she says, inviting us inside. Continue reading →
If you ever wondered how to explain who Assagioli is to people who have never heard of him or psychosynthesis, I recently had a short article published about him in The Florentine magazine. You can read “A Man of Peaceful Action” by clicking here.