Category Archives: Italy

Beauty as a Divine Imprint

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John
As an expression of beauty, awe, and awakening, art has always played a great part along our journey to our Higher Self. Throughout the world, holy places have been built to hold the polar tensions of spirit and matter, inner and outer space and light, as well as the community that shares the transcendent experience within the architectural space.

Assagioli noted that:

“Matter is the highest form of Spirit and Spirit is the lowest form of Matter.”

In this way, spirit seeks matter to express the full beauty of the transcendent. Assagioli also noted that Plato, Plotinus, and Christian mystics have recognized and proclaimed that “beauty is the essential attribute of the Supreme.” Continue reading →

Burning Old Growth for Joyous Renewal

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DSC01928 Burn

In the Umbrian countryside, it is time to burn old growth.

We are now at the end of Lent – a time before Easter when Christians seek purification through fasting, prayer, and charitable acts. The forty days of Lent are, in many ways, similar to the Islamic time of Ramadan, which I was fortunate enough to experience while living in Egypt. During Ramadan, Moslems are expected to fast as well as give alms and read the Qur’an.

Assagioli wrote extensively on what he called “the science of applied purification”, insisting that this work must be undertaken in order to transform the lower characteristics of our personality and bring unity to our soul. He described purification of the personality as a process of re-orientation and elevation of the higher mind. Using our will, we burn the dross of our affective and instinctual energies, habits, tendencies and passions. Once clear of the obstacles that prevent us from receiving our higher intuitions, we are free to receive wisdom from the Higher Self. In other words, purification is a necessary process that we all must endure along the journey towards personal psychosynthesis before we are adequately equipped to seek spiritual psychosynthesis. Continue reading →

Giving “Birth to a Butterfly”: Assagioli’s Feminist Patient

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Wall painting by Mina Loy, Peggy Guggenheim’s Villa, Pramousquier, 1923

In 1913, Mina Loy (1882-1966) was living in a rented villa in Florence when she found herself in a torpor and depressed. Her photographer husband had just set sail for Australia, abandoning her with their two children. A painter herself, she was artistically stalled and still mourning over the death of her first child who had died in infancy six years earlier.

Enter Dr. Roberto Assagioli!

Yes, Mina Loy – feminist, bohemian, poet, and playwright – was one of Roberto Assagioli’s first clients.

Over the course of her lifetime, Loy acted, wrote feminist and utopian tracts, created lampshades, and painted – including a lost portrait of Assagioli. Loy was born in London. Her mother was British and Christian while her father was a Hungarian Jewish tailor who had escaped Budapest’s antisemitism. Loy would end up having two husbands, four children, and several complicated love affairs. (More on two of these later…)

Continue reading →