Yesterday I went to see the new Pixar movie Inside Out. It is an intelligent 3D-animated feature about 11-year-old Riley who moves with her family from Minnesota to San Francisco. But the real stars of the film are her five emotions, Joy, Sadness, Anger, Disgust and Fear, who are busy operating Riley’s outer behavior from her brain Headquarters. I will not go into details about the story, but I did find it entertaining, fun, and thought provoking. The movie has received rave reviews and is topping all kinds of records for ticket sales.
Today in the Guardian newspaper, one movie critic has warned shrinks to stay away from the movie. (Oops! Too late!) Psychology professionals (along with some parenting forums) are reportedly outraged that Sadness is shown as fat, frumpy and unattractive, and Joy is slim, pretty and smart. What is the film saying? That fat people are sad and thin people are full of Joy?
Actually, from a psychosynthesis perspective, this discrepancy could have easily been explained (and the movie would have been much richer) if the five emotions had actually been five different subpersonalities. Like our subpersonalities, in the movie each emotion not only has feelings but also a body and mind as well. All are embodied in a type of human form. Sadness is the color blue and, okay, let’s say full-bodied, while Joy is a slender and an adorable version of Tinkerbell. In addition, all five emotions have cognitive functioning, that is, they all contemplate, calculate, make decisions, and integrate new ideas and experiences, especially when they have to find a way to reconnect to Riley.