Not long ago, I reflected on the process of forgiveness and how much time it can take. Recently, I heard a fascinating interview of the playwright and author Eve Ensler about her new book The Apology. Throughout her childhood, Ensler had been physically and sexually abused by her father. Decades after his death, she decided to write an apology for him – the apology that she had yearned to hear all her life. The book is written entirely from his perspective. In its “Introduction”, she talks about using her imagination to create the words she needed to hear her father say:
“My father is long dead. He will never say the words to me. He will not make the apology. So it must be imagined. For it is in our imagination that we can dream across boundaries, deepen the narrative, and design alternative outcomes.”
With standing room only, the bus sped down the freeway on a bright warm morning. Once we turned onto the bollenstreek, long ribbons of intense blue, mauve, and white stretched to the near horizon. At the same time, the colours seemed to invade inside and pour over us. Fields of yellow daffodils blared spring’s final triumph over the particularly long winter. Every head on the bus turned and gazed. And then suddenly, quite spontaneously, everyone sighed together, “Aaahhhhhhhh.” A breath song of collective awe.
We were headed to Keukenhof Gardens, near the Dutch town of Lisse, famous for its variety of bulb flowers, especially tulips. I was feeling particularly triumphant because I had two Dutch people in tow. My husband had finally run out of excuses and decided to appease his American wife. Along with us was a friend who had actually lived near the gardens for the past 35 years and had never visited them before. Continue reading →
Forgiveness is a transpersonal quality whose essential role is often overlooked in the story of Good Friday. Today Christians mark the death of Jesus, who before dying, forgave his executioners as well as the thief crucified by his side. Born out of a paradoxical mixture of human suffering, responsibility and love, the essential power of forgiveness is that is contains rather than proliferates violence. Today seems like a good time to explore where forgiveness comes from and the power it holds. How does it happen? And what are the steps that we, in our personal lives, can take towards it?
Forgiveness is a creative process. You decide how much, when, where, how, and under what conditions to forgive. As Jungian psychologist Clarissa Pinkola Estés writes, “The important part of forgiveness is to begin and to continue” (author’s italics). It does not happen overnight, it does not have to happen fully. But one thing is certain, it cannot happen from your head. We cannot reason our way around, into, or towards forgiveness. Forgiveness comes from the heart, and it requires a great love, a Love beyond ourselves. Continue reading →
Artwork by Mary Beth Volpini. See more at drawntocolor.com
Valentine’s Day feels like a good time to take a closer look at Love. February is also Black History Month in the US, and lately I have been reading and listening to sermons and speeches by Dr. Martin Luther King Jr.
Dr. Martin Luther King, Jr. in 1964
When you listen to Dr. King speak, his message is more powerful than ever before. As his deep baritone voice melodically rises and falls, you are swept across the tides of time into his eternal message of Love and Will. His gift was to help us touch the human heart and awaken our deeper transpersonal nature. He was a master teacher, leader, and poet – using his voice to conjure truth through the most familiar of images and the essence of everyday life. Continue reading →
For a year now, I have been a volunteer working one morning a week for the local Italian Catholic organization Caritas, which means ‘charity’ in Italian. This national organization, funded in part by the Vatican and in part by donations, offers food and clothing to the poor, subsidizes housing, pays medical bills, and tries to find or create jobs for the unemployed. During this past year, I have done everything from teach asylum seekers English, pack and distribute groceries for the needy, canvas for food outside supermarkets, help run an auction, perform basic office work, and hang out with people in the Caritas waiting room.
One sweltering July morning, Rose (Note that all names have been changed) showed up hot and sweaty and on the verge of tears. She had walked three miles in the sweltering heat pushing her 4-month-old baby girl in a rickety stroller down a road full of racing Italian traffic and no sidewalk. Rose plopped down onto a chair and started sobbing. Everything was just too much. Despite having been in the country for two years, she still didn’t understand much Italian. (I would realize months later that she could barely read and write.) That day she sat gripping another official letter that can had come in the post. One of those bureaucratic letters full of convoluted language that just tells you to wait for another bureaucratic letter to arrive someday soon. Continue reading →
Detail from Rembrandt’s “Return of the Prodigal Son”.
I have always loved the parable of the Prodigal Son (Luke 15: 11-32), yet at the same time, struggle with it. The story seems so male in context. A young man returns home repentant and humbled after squandering his inheritance on a life of debauchery. His father is moved with pity, and runs to welcome his son home, clasping him in his arms and kissing him.
“Bring out the best robe and put it on him; put a ring on his finger and sandals on his feet. We will celebrate by having a feast, because this son of mine was dead and has come back to life; he was lost and is found.”
Meanwhile the elder son who always slaved in the fields and obeyed his father grows angry and refuses to enter the celebrations. But the father says:
“My son, you are with me always and all I have is yours. But it was only right we should celebrate and rejoice, because your brother here was dead and has come to life; he was lost and is found.”
What would the story of the prodigal daughter be, and what would her return to the welcoming mother reveal? Continue reading →
August is here again, and as part of our summer break, I offer you a story I wrote about making gnocchi for our village festival. This is long story for a blog and comes in two parts. To read Part I, click here. I hope you enjoy it and your summer!
I had been on my feet all morning rolling strings of dough and cutting them into bite-sized gnocchi, when someone arrived with a tray of sliced prosciutto crudo on fresh bread and thimble-sized cups of strong black coffee. Both never tasted so good!
But truly, my inspiration and energy only arose from the compagnia of the women around me. At one point, I was standing next to Eleonora, a young woman who had spent seven years in Boston and New York studying music. She started singing “Close to You” by the Carpenters and we sang together for a while, with me helping her with the lyrics. Then suddenly Adelaide threw up her arms and waved them around as she sung, and the rest of the women joined in. She then recited a short poem that she had just invented:
Chi al mare e chi al monte
A fare gnocchi, ci sono tonte.
Some are vacationing at the beach, others in the mountain sun.
Those who make gnocchi are the stupid ones.
August is here again, and this weekend I will be busy making gnocchi for our village sacra (food festival). A part of our summer break, I offer you a story I wrote about this experience.
This is long story for a blog and comes in two parts. I hope you enjoy it and your summer!
From the day I arrived in the village, the following words seemed to follow me around:
“Do you know about the sagra dello gnocco (the gnocco festival)? The first weekend in August? Gnocchi d’oca! (Small potato dumplings in goose tomato sauce.) They are famous all over the area! And the women always need help in the kitchen…”
I would stand in front of my new neighbor smiling and nodding, beset with the knowledge that she (it was always a she) was waiting for me to volunteer. Since 1986, the village has hosted the Gnocchi D’Oca festival the first weekend in August on Friday, Saturday and Sunday evenings, complete with music and dancefloor in the open air. Whenever we mention the town to anyone from the surrounding area, they always start raving about the delicious gnocchi.
My neighbor Giselda’s (92) telephone. When asked about it, she said: “The phone company came years ago to give me a new one and I sent them away. ‘Why do I need a new one?’ I asked them. ‘This one works fine.’ (photo by Catherine Ann Lombard)
Okay. I know this sounds half-crazy… But I have never owned a smartphone. People keep wanting me to go on WhatsApp and I keep thinking… What’s Up with this WhatsApp? I’m already spending too much time writing and researching on my desk computer, not to mention answering 800 emails just to meet someone for a coffee.
Granted, I don’t have an extended family with whom I need to keep in touch with. My husband is usually right down the hallway. We actually share the one dumbphone we own. Like in the good ol’ days when the phone sat in the corridor and everybody had the same phone number. People call me and are surprised when he answers. People call him and are surprised when I say ‘Hello’.
I’m probably the only Western woman to drive off to the supermarket without a phone. I never seem to remember to take it with me. It’s a nuisance most of the time. When I lived in Germany, 2 km from the Dutch border, it would constantly beep to tell me that I was now in Germany, now in the Netherlands, now in Germany, now in the Netherlands. This dumbphone thought I was the dummy. Continue reading →
What better day than St. Valentines to explore Assagioli’s thoughts on Love from a psychosynthetic point of view? But first we have to start with pencils…
In his dialogs with Bruno Caldironi, Assagioli described the process of reflective mediation. This type of meditation is a synthesis of many elements, most notably attention and concentration. The idea is to consciously direct your thoughts to an idea, problem, or concept and note how your thoughts connect, interpenetrate, and link themselves together into a new understanding.
In Assagioli’s careful didactic way, he first gave the simple example of how you might meditate on a pencil. You might begin like this:
“What’s a pencil? It’s for writing. It’s of wood. It has lead inside…”